10/12/2021

Soma Topika, Galerie Noah Klink, 2021


For her first solo exhibition at Galerie Noah Klink in Berlin, Alison Yip approached a neoshaman and a psychic with an identical set of questions. She inquired about her future, her relationship with the gallerist hosting the exhibition, the title and the techniques or material she should use. Following multiple in-person and remote sessions including a stone oracle, two shamanic divination journeys, several card decks, and a coffee grind reading, Yip obtained some answers. These answers became part of a chain of interpretation as they turned into her medium to produce meaningful images, prefiguring painting’s own process of mediation.


Two distinct and contradictory scenarios emerged and gave rise to two series of small oil paintings envisioning parallel futures. In accordance with the respective readings, Yip painted one series on various pieces of metal, and another one on marble-print laminate floor tiles layered with collaged scraps of paper from her daily life. A marionette-like figure representing the artist is seen in Milan or in her hometown of Calgary — she is writing her first novel or working at a swan boat rental, marrying a rich Italian man of fashion instead of the woman she truly loves, or reluctantly unpacking a special edition scarf for an upcoming exhibition.


Yip’s pictures exert a plasticity reminiscent of Northern Renaissance paintings and their nonlinear approach to perspective. In her genre scenes, figures are incongruously contained within the pictorial space allotted to their bodies and the objects that surround them, while the thin membrane of the vignettes allow the predicted scenarios to bleed onto the more tangible reality of the substrate. Pinned to the plastic covered walls of the gallery in mid-renovation, these scenarios belong to a wide array of provisional narratives — the kind we all construct to bricolage our way forward. 


- ER




Download the text by Tiziana La Melia here !


images by Hans-Georg Gaul

3D scans by Nikolai Meierjohann





Thank you to:
Roberta Perzolla
Esmerelda
Dagmar Hornik
Aimée Dawn Robinson
Tiziana La Melia
Edmée Brell/Good and Cheap Translations
Camillo Grewe
Nathan Schönewolf
Nikolai Meierjohann
Emile Rubino
Svea Mausolf
Rebecca Brewer
Bennett Kamm
Leander Kamm
Andreas Kamm
Stefan Schmidke
David Jenal
Contemporary Art Gallery Vancouver
Neustart Kultur
Stiftung Kunstfonds
and all those who gave me permission to use their likeness



What new skill will I develop? (Somatic) oil, paper, laminate tile











How will my relationship be with the gallerist? (auratic) oil, metal









Who will I desire? (Somatic) oil, paper, laminate tile

































The Body Says No, acrylic scarves, plastic, metal, hemp



Where will I live? (Somatic) oil, paper, laminate tile




How will my relationship be with the gallerist? (Somatic) oil, paper, laminate tile

What new skill will I develop? (Auratic), oil, copper

What animal/organic form will I identify with? (auratic) oil, metal


Where will I live? (auratic) oil, metal


Who will I desire? (auratic) oil, metal















How will my relationship be with the gallerist? (somatic) oil, paper, laminate tile























What animal/organic life will I identify with? (Somatic) oil, paper, laminate tile
















Inaugural group exhibition at MAUER, July 2021

ANAL, MOON, MOAN, PANORAMA moon calendar collage, 2021
 
installation view with orchid wall painting
and works by Svea Mausolf

untitled (chain), stencil painting, 2021
installation view with painting by Ralph Schuster

untitled (chain), detail view